Dancing Queen

“Dancing Queen” is a song by the Swedish group ABBA, released as the lead single from their fourth studio album, Arrival (1976). It was written by Benny Andersson, Björn Ulvaeus and Stig Anderson. Andersson and Ulvaeus also produced the song. “Dancing Queen” was released as a single in Sweden in August 1976, followed by a UK release and the rest of Europe. It was a worldwide hit. It became ABBA’s only number one hit in the United States, and topped the charts in Australia, Canada, Denmark, the Netherlands, Belgium, Czechoslovakia, Ireland, Mexico, New Zealand, Portugal, Norway, South Africa, Spain, Sweden, the United Kingdom, West Germany and the Soviet Union.”Dancing Queen” also reached the top five in many other countries. Musically, “Dancing Queen” is a Europop version of American disco music. As disco music dominated the US charts, the group decided to follow the trend, replicating Phil Spector’s Wall of Sound arrangements. Andersson and Ulvaeus have cited George McCrae’s “Rock Your Baby” as a source of inspiration for the style of the song. The song alternates between “languid yet seductive verses” and a “dramatic chorus that ascends to heart-tugging high notes”. It features keyboard lines by Andersson, which accentuate the melody’s sophistication and classical complexity, while Ulvaeus and Andersson interlace many instrumental hooks in and out of the mix.[7] Agnetha Fältskog and Anni-Frid Lyngstad’s layered vocals have been noted for their dynamism,[5] “[negotiating] the melody’s many turns flawlessly.” Lyrically, the song concerns a visit to the discothèque, but approaches the subject from the joy of dancing itself. In 2015, the song was inducted into the Grammy Hall of Fame. The recording sessions for “Dancing Queen” began on 4 August 1975. The demo was called “Boogaloo” and as the sessions progressed, Andersson and Ulvaeus found inspiration in the dance rhythm of George McCrae’s “Rock Your Baby”, as well as the drumming on Dr. John’s 1972 album, Dr. John’s Gumbo. The opening melody echoes “Sing My Way Home” by Delaney & Bonnie (from Motel Shot, 1971).[citation needed] Fältskog and Lyngstad recorded the vocals during sessions in September 1975, and the track was completed three months later. During the sessions, Benny Andersson brought a tape home with the backing track on it and played it to Anni-Frid Lyngstad, who apparently started crying when listening. Lyngstad said, “I found the song so beautiful. It’s one of those songs that goes straight to your heart”.Agnetha Fältskog later said: “It’s often difficult to know what will be a hit. The exception was ‘Dancing Queen.’ We all knew it was going to be massive.”
While working on the lyrics, the first half of the second verse was scrapped: “Baby, baby, you’re out of sight/hey, you’re looking all right tonight/when you come to the party/listen to the guys/they’ve got the look in their eyes…” It survives in footage from a recording session. The band (especially Andersson) wanted to release “Dancing Queen” as the follow-up single to “Mamma Mia” but their manager, Stig Anderson, insisted that the more sedate and folksy “Fernando” should be first, as he felt it would appeal to a broader audience and so was more likely to be a hit. Therefore, whilst “Dancing Queen” premiered on both German and Japanese television during the spring of 1976, the song did not appear on vinyl until later that summer, having had its first live and domestic performance on 18 June 1976 during an all-star gala staged by Kjerstin Dellert at the Royal Swedish Opera (and shown on Swedish TV) in honour of King Carl XVI Gustaf and his bride-to-be, Silvia Sommerlath, who were married the next day.[citation needed] For their 1980 Spanish-language compilation-album Gracias Por La Música, ABBA recorded a Spanish version of “Dancing Queen”, renamed “Reina Danzante”, with Spanish lyrics provided by Buddy and Mary McCluskey. The track was retitled “La Reina Del Baile” when included on the compilation album ABBA Oro: Grandes Éxitos in the 1990s. In 1993, in honour of Swedish Queen Silvia’s 50th birthday, Anni-Frid Lyngstad was asked to perform “Dancing Queen” on stage, repeating ABBA’s 1976 performance of the song at the pre-wedding gala for King Carl XVI Gustaf and Queen Silvia. Frida contacted The Real Group and together they did an a cappella version of the song on stage at the Royal Opera House in Stockholm, in front of the king and queen. The Swedish prime minister at the time, Ingvar Carlsson, was also in the audience that night and said it was an ingenious idea to perform “Dancing Queen” a cappella. The performance was recorded by Sveriges Television (SVT) and is included in the biographical documentary Frida – The DVD and The Real Group’s 1994 compilation album Varför får man inte bara vara som man är. When King Carl Gustaf and Queen Silvia attended the Tramp nightclub in London, the King requested that the DJ would play “Dancing Queen” owing to its use shortly before their wedding as previously mentioned. For the soundtrack of the 1994 Australian film Muriel’s Wedding, songwriters Ulvaeus and Andersson allowed the use of “Dancing Queen” and other ABBA hits. “Dancing Queen” was among the ABBA songs included in Mamma Mia!, the jukebox musical first produced in 1999 and adapted into film in 2008, as well as the sequel, Mamma Mia! Here We Go Again (2018). “Dancing Queen” received widespread critical acclaim upon release. According to Donald A. Guarisco of AllMusic, the track’s “sincerity and sheer musicality have allowed it to outlast the disco boom and become a standard of dance-pop.” The song’s release also cemented ABBA as an international act and signified the beginning of the group’s ‘classic period’, which would span the following four years It has become a standard for dance divas like Carol Douglas and Kylie Minogue, and it has been covered numerous times by acts including Ireland’s U2. The song has been adopted by the LGBT community and, according to Mojo magazine, remains one of the most ubiquitous “gay anthems”. Billboard found the theme of a person’s greatest experience coming at a disco age 17 to be more substantive than most ABBA songs, and compared the vocal harmonies to the Mamas and the Papas. Cash Box said that the song is “backed by a strong upbeat, in keeping with the title” and “the hooks brought by lush vocal harmonies, as well as the reverb-soaked wall of sound that distinguishes this group, are present.”[19] Record World said that “the disco-styled treatment should make it a favorite [in the United States].”