In honor of Memorial Day, I will play Tabs followed by “America, the Beautiful”. This week will be Memorial songs.
The origins of “Taps,” the distinctive bugle melody played at U.S. military funerals and memorials and as a lights-out signal to soldiers at night, date back to the American Civil War. In July 1862, U.S. General Daniel Butterfield and his brigade were camped at Harrison’s Landing, Virginia, recuperating after the Seven Days Battles near Richmond. Dissatisfied with the standard bugle call employed by the Army to indicate to troops it was time to go to sleep, and thinking the call should sound more melodious, Butterfield reworked an existing bugle call used to signal the end of the day. After he had his brigade bugler, Private Oliver Wilcox Norton, play it for the men, buglers from other units became interested in the 24-note tune and it quickly spread throughout the Army, and even caught on with the Confederates. Not long after Butterfield created “Taps,” it was played for the first time at a military funeral, for a Union cannoneer killed in action. The man’s commanding officer, Captain John Tidball, decided the bugle call would be safer than the traditional firing of three rifle volleys over the soldier’s grave, a move which couldn’t been confused by the nearby enemy as an attack. As for the name “Taps,” the most likely explanation is that it comes from the fact that prior to Butterfield’s bugle call, the lights-out call was followed by three drum beats, dubbed the “Drum Taps,” as well as “The Taps” and then simply “Taps.” When Butterfield’s call replaced the drum beats, soldiers referred to it as “Taps,” although this was an unofficial moniker, according to “Taps” historian and bugle expert Jari Villanueva. He notes that Butterfield’s bugle call was officially known as “Extinguish Lights” in American military manuals until 1891. Since that time, “Taps” also has been a formally recognized part of U.S. military funerals. Today at Berkeley Plantation, the historic estate located at Harrison’s Landing, there’s a monument commemorating the origins of “Taps” at the site. Berkeley Plantation also happens to be the birthplace of Benjamin Harrison V, a signer of the Declaration of Independence, and William Henry Harrison, the nation’s ninth president.
“America the Beautiful” is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates wrote the words as a poem originally entitled “Pikes Peak”. It was first published in the Fourth of July 1895 edition of the church periodical, The Congregationalist. It was at that time that the poem was first entitled “America”. Ward had initially composed the song’s melody in 1882 to accompany lyrics to “Materna”, basis of the hymn, “O Mother dear, Jerusalem”, though the hymn was not first published until 1892.[3] The combination of Ward’s melody and Bates’s poem was first entitled “America the Beautiful” in 1910. The song is one of the most popular of the many American patriotic songs. Commemoration plaque atop Pikes Peak in July 1999. In 1893, at the age of 33, Bates, an English professor at Wellesley College, had taken a train trip to Colorado Springs, Colorado, to teach at Colorado College. Several of the sights on her trip inspired her, and they found their way into her poem, including the World’s Columbian Exposition in Chicago, the “White City” with its promise of the future contained within its gleaming white buildings; the wheat fields of North America’s heartland Kansas, through which her train was riding on July 16; and the majestic view of the Great Plains from high atop Pikes Peak. On the pinnacle of that mountain, the words of the poem started to come to her, and she wrote them down upon returning to her hotel room at the original Antlers Hotel. The poem was initially published two years later in The Congregationalist to commemorate the Fourth of July. It quickly caught the public’s fancy. An amended version was published in 1904. Historical marker at Grace Church in Newark where Samuel Ward worked as organist, and wrote and perfected the tune “Materna” that is used for “America the Beautiful”. The first known melody written for the song was sent in by Silas Pratt when the poem was published in The Congregationalist. By 1900, at least 75 different melodies had been written. A hymn tune composed in 1882 by Samuel A. Ward, the organist and choir director at Grace Church, Newark, was generally considered the best music as early as 1910 and is still the popular tune today. Just as Bates had been inspired to write her poem, Ward, too, was inspired. The tune came to him while he was on a ferryboat trip from Coney Island back to his home in New York City after a leisurely summer day and he immediately wrote it down. He composed the tune for the old hymn “O Mother Dear, Jerusalem”, retitling the work “Materna”. Ward’s music combined with Bates’s poem were first published together in 1910 and titled “America the Beautiful”.Ward died in 1903, not knowing the national stature his music would attain. Bates was more fortunate, since the song’s popularity was well established by the time of her death in 1929. It is included in songbooks in many religious congregations in the United States. At various times in the more than one hundred years that have elapsed since the song was written, particularly during the John F. Kennedy administration, there have been efforts to give “America the Beautiful” legal status either as a national hymn or as a national anthem equal to, or in place of, “The Star-Spangled Banner”, but so far this has not succeeded. Proponents prefer “America the Beautiful” for various reasons, saying it is easier to sing, more melodic, and more adaptable to new orchestrations while still remaining as easily recognizable as “The Star-Spangled Banner”. Some prefer “America the Beautiful” over “The Star-Spangled Banner” due to the latter’s war-oriented imagery, while others object to the implicit support of slavery and racism in its third verse; others prefer “The Star-Spangled Banner” because of its war themes. While that national dichotomy has stymied any effort at changing the tradition of the national anthem, “America the Beautiful” continues to be held in high esteem by a large number of Americans, and was even being considered before 1931 as a candidate to become the national anthem of the United States.