Three Blind Mice

“Three Blind Mice” is an English nursery rhyme and musical round.of Musicks melodie (1609).The editor of the book, and possible author of the rhyme, was Thomas Ravenscroft. Attempts to read historical significance into the words have led to the speculation that this musical round was written earlier and refers to Queen Mary I of England blinding and executing three Protestant bishops .However, the Oxford Martyrs, Ridley, Latimer and Cranmer, were burned at the stake, not blinded; although if the rhyme was made by crypto-Catholics, the mice’s “blindness” could refer to their Protestantism. However, as can be seen above, the earliest lyrics don’t talk about harming the three blind mice, and the first known date of publication is 1609, well after Queen Mary died. The rhyme only entered children’s literature in 1842 when it was published in a collection by James Orard Halliwell. Amateur music composer Thomas Oliphant (1799–1873) noted in 1843 that: This absurd old round is frequently brought to mind in the present day, from the circumstance of there being an instrumental Quartet by Weiss, through which runs a musical phrase accidentally the same as the notes applied to the word Three Blind Mice. They form a third descending, C, B, A. Robert Schumann’s Kreisleriana #7, which is arguably about a cat (Murr), appears to be based upon “Three Blind Mice”, but in a predominantly minor key. “Three Blind Mice” is to be found in the fugue which is the centerpiece of #7.
Joseph Holbrooke (1878–1958) composed his Symphonic Variations, opus 37, based on Three Blind Mice. Joseph Haydn used its theme in the Finale (4th Mvt) of his Symphony 83 (La Poule) (1785–86); one of the 6 Paris Symphonies, and the music also appears in the final movement of English composer Eric Coates’ suite The Three Men. “Three Blind Mice” was used as a theme song for The Three Stooges and a Curtis Fuller arrangement of the rhyme is featured on the Art Blakey live album of the same name. The song is also the basis for Leroy Anderson’s 1947 orchestral “Fiddle Faddle”. The theme can be heard in Antonín Dvořák’s Symphony No. 9 IV. Allegro con fuoco and Manuel de Falla’s El Paño Moruno. The British composer Havergal Brian (1876–1972) used the tune as the basis of his orchestral work “Fantastic Variations on an Old Rhyme” (1907–08). The work was originally intended as the first movement of a satirical “Fantastic Symphony” (Symphony No.1), a programmatic work, based on the nursery rhyme. The second movement was intended as a scherzo for pizzicato strings, depicting the souls of the departed mice going to heaven and the third movement was a Lament for the dead mice. Both these movements are lost. “Festal Dance” (1908) formed the finale, depicting the wild dance of triumph of the farmer’s wife in which passing references to the tune can be heard. Having been performed separately, the first and last movements became independent works around 1914.Illustration of “Three Blind Mice” by Beatrix Potter in Cecily Parsley’s Nursery Rhymes (1922) Published in 1904 by Frederick Warne & Co. in London, an illustrated children’s book by John W. Ivimey entitled The Complete Version of Ye Three Blind Mice, fleshes the mice out into mischievous characters who seek adventure, eventually being taken in by a farmer whose wife chases them from the house and into a bramble bush, which blinds them.[12] Soon after, their tails are removed by “the butcher’s wife” when the complete version incorporates the original verse—although the earliest version from 1609 does not mention tails being cut off. The story ends with them using a tonic to grow new tails and recover their eyesight, learning a trade (making wood chips, according to the accompanying illustration), buying a house and living happily ever after.