Kum ba yah

“Kum ba yah” (“Come by here”) is an African American spiritual song of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved Central Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folklorist Robert Winslow Gordon in 1926. It later became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s.The song was originally an appeal to God to come and help those in need.[1] In American politics, the song would later become part of a phrase (sing Kumbaya) denoting unrealistic, excessively optimistic compromises. Come By Here / Kum Ba Ya / Kumbaya. According to Library of Congress editor Stephen Winick, the song almost certainly originated among African Americans in the Southeastern United States, and had a Gullah version early in its history even if it did not originate in that dialect. The two oldest versions whose year of origin is known for certain were both collected in 1926, and both reside in the Library’s American Folklife Center. No precise month or day was recorded for either version, so either may be the earliest known version of the song. One was submitted as a high-school collecting project by a student named Minnie Lee to her teacher, Julian P. Boyd, later a professor of history at Princeton University and president of the American Historical Association. This version, collected in Alliance, North Carolina, is a manuscript featuring lyrics but no music. The other 1926 version was recorded on wax cylinder by Robert Winslow Gordon, founder of what began as the Library of Congress’s Archive of Folk Song, which became the American Folklife Center. The singer’s name was H. Wylie, and the song was recorded within a few hours’ drive of Darien, Georgia, although Gordon did not note the exact location. Between 1926 and 1928, Gordon recorded three more versions of traditional spirituals with the refrain “come by here” or “come by heah”. One of these is a different song concerning the story of Daniel in the den of lions. Of the other two, one has been lost, and one cylinder was broken, so it cannot be determined if they are versions of “Kumbaya”. According to an article in Kodaly Envoy by Lum Chee-Hoo, some time between 1922 and 1931, members of the Society for the Preservation of Spirituals collected a version from the South Carolina coast. “Come by Yuh”, as they called it, was sung in Gullah, the creole language spoken by the formerly enslaved Africans and their descendants living on the Sea Islands of South Carolina and Georgia, as well as The Bahamas. It is possible this is the earliest version, if it was collected before 1926. Because the individual songs in this society’s publications are not dated, however, it cannot be dated with certainty to before 1931. In May 1936, John Lomax, Gordon’s successor as head of the Archive of Folk Song, discovered a woman named Ethel Best singing “Come by Here” with a group in Raiford, Florida. These facts contradict the longstanding copyright and authorship attribution to the white Anglo-American songwriter, Reverend Marvin V. Frey.[3] Frey (1918–1992) said he wrote the song circa 1936 under the title “Come By Here”, inspired, he said, by a prayer he heard delivered by “Mother Duffin”, a storefront evangelist in Portland, Oregon. It first appeared in this version in Revival Choruses of Marvin V. Frey, a lyric sheet printed in that city in 1939. In an interview at the Library of Congress quoted by Winick, Frey said the change of the title to “Kum Ba Yah” came about in 1946, when a missionary family named Cunningham returned from Africa where they had sung Frey’s version. According to Frey, they brought back a partly translated version, and “Kum Ba Yah” was an African phrase from Angola (specifically in Luvale). Frey said the Cunninghams then toured America singing the song with the text “Kum Ba Yah”The story of an African origin for the phrase circulated in several versions, spread also by the revival group the Folksmiths, whose liner notes for the song stated that “Kum Ba Yah” was brought to America from Angola. As Winick points out, however: According to Frey, then, the pronunciation “Kum Ba Yah” originated when Luvale-speaking people in Angola and Zaire translated “Come by Here” into their language. That strains credibility on several levels, primarily that “Come by Here” translated into Luvale would not be “Kum Ba Yah;” indeed, for “Come by Here” to translate to “Kum Ba Yah,” the target language would have to be a creole with English as one of its main components, and no such language was common in Angola (then still a Portuguese colony) or Zaire (a country formerly colonized by Belgium, whose primary colonial language was French) in the 1930s. Moreover, the AFC’s cylinder recording of H. Wylie shows that we have no need of such a story. In Wylie’s dialect, which is most likely a form of Gullah, the word “here” is pronounced as “yah,” rendering the song’s most repeated line “come by yah,” a phrase that can be phonetically rendered as either “Kum Ba Yah” or “Kumbaya.”
Although it is often said that the song originated in Gullah, Winick further points out that the Boyd manuscript, which may be the earliest version of the song, was probably not collected from a Gullah speaker. A 45 rpm recording in a contemporary gospel style was released in 1958 by Little Sugar and the Hightower Brothers as “Come by Here”, on the Savoy label (backed with “At the Golden Gate”).