My Blue Heaven

My Blue Heaven” is a popular song written by Walter Donaldson with lyrics by George A. Whiting. The song was used in the Ziegfeld Follies of 1927. It has become part of various fake book collections. In 1928, “My Blue Heaven” became a huge hit on Victor 20964-A for crooner Gene Austin, accompanied by the Victor Orchestra as directed by Nat Shilkret. It charted for 26 weeks, stayed at number one for 13, and sold over five million copies worldwide. Victor 20964-A was recorded on September 14, 1927 and was inducted into the Grammy Hall of Fame in 1978. The recording was reissued as Victor 24573 and has been reissued on several commercially available CDs. The music for “My Blue Heaven” was written in 1924: “Donaldson wrote it one afternoon at the Friars Club in New York while waiting for his turn at the billiard table.” The song was written while Donaldson was under contract to Irving Berlin, working for Berlin’s publishing company, Irving Berlin Inc. George A. Whiting wrote lyrics adapted for Donaldson’s music, and for a while, performed it in his vaudeville act with Sadie Burt, incorporating it in their show Songsayings, but no recording was ever made of Whiting and Burt performing the song; three years later, Tommy Lyman started singing it on the radio as his theme song. Austin, unhappy with the Victor Company and “convinced that the best material which he brought to the company’s attention was going to other artists”, “gave Nat Shilkret an ultimatum that he wouldn’t do another session unless his interpretation [of “My Blue Heaven”] was commercially released. According to Austin, an agreement was reached for “My Blue Heaven” to be coupled with “Are You Thinking of Me Tonight?”, the most highly regarded song among those he was planning to record at that time.” On the day “My Blue Heaven” was to be recorded, after takes of the other songs had been completed, to Austin’s surprise the musicians packed up and left the studio; Shilkret told Austin they had a conflict, but in a scene documented by H. Allen Smith in his A Short History of Fingers, Austin “grabbed an old guy with a cello and talked him into standing by. Then [he] grabbed a song plugger who could play pretty fair piano. And the third fellow [he] got was an agent who could whistle – bird calls and that sort of thing.” Austin recorded “My Blue Heaven” with that hastily assembled trio